WARNING: SPOILERS AHEAD
The 2015 film Masaan, is one of the finest films to come out of India from any decade. For a long time, Indian cinema has been attached with a particular image that is, not reflective of the deep heritage and quality of Indian films. It is a country that has been producing great films for more than a century, but a lot of these films don’t get the attention and recognition that they deserve. To be fair, India hasn’t been completely ignored by the world but there are definitely many more films that are waiting to be discovered. Luckily Masaan was a film that the world got to see and this is important as it meant that more people got to see this brilliant film. There are many elements that make this film great – from the performances to the direction but if there is one department that stands head and shoulders above the rest, it is the writing by Varun Grover.
This above scene is probably the finest example of the quality of the writing in the film. It comes after Deepak’s love Shaalu has died and he has had a drink for the first time in his life. Then, he utters a line that for me is one of the most poignant dialogues that I’ve heard. He says, “Yeh Dukh Kaahe Khatam Nahi Hota”. When translated, it means: why doesn’t this sadness end ? In one line, he manages to say so much about life. When you think about it, life does seem like a constant stream of sadness at times. Most of life is how you react to the dukh (sadness, problems etc.) that happens to you. So, sadness becomes something that is enduring and something we have to endure. This is a man who has had his life turned upside down and he’s kept his grief bottled up until this moment, when it becomes too much to bear. There are times when we wonder why certain things happen to us. The truth is that there is no reason or even if there is one, we haven’t found it yet. Let’s leave that to Varun Grover to explore in his next film. If you haven’t watched Masaan please do. I am sure that it will speak to you on some level.
Until next time, bye.