Knives Out – Wickedly Fun

When you are constructing a whodunit, the trick is to surprise the audience. Since we have seen so many variations of this kind of story, we try to be one step ahead of the filmmaker. So, when someone actually does play a fast one on us, the feeling is strangely satisfying. This is exactly how I felt at the end of Knives Out as I sat back and was happy at what Rian Johnson had managed to accomplish.

In many ways, this is the kind of film that I would like to see being made every year. Get an all-star cast, give them meaty parts and back that up with some ingenious writing. It probably won’t happen but imagine if it did. Knives Out is incredible because it keeps surprising us with its reveals. We expect the story to go one way and it goes the other way. Or, it goes one way and digs deeper than we ever thought it would. This is the perfect situation for a murder mystery film. Everyone is at the top of their game here be it the sleuthing Benoit Blanc played by Daniel Craig or the nurse Marta played by Ana de Armas. The casting works perfectly because we have seen and loved these people in other parts but they feel like their characters here.

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Films of this ilk don’t get the kind of appreciation they do but they should, because they are incredibly hard to pull off. Tying every knot together and not leaving any loose ends is so hard but Johnson manages that in Knives Out. The cinematography by Steve Yedlin adds some gloss to this story that renders it timeless in a way. The problem for me in writing this ‘review’ is that its difficult to analyze the film. I did try and all I could come up with was praise for what Johnson has achieved. In a way, this film made me feel the same way that Andhadhun did.

If you are able to find some flaw in this film, then good for you. Is it a perfect film? Well, when you get a wickedly fun experience like the one Knives Out gives you, perfection doesn’t matter. It works on many level. It works as a mystery first and foremost, and there is an impressive amount of social commentary thrown in as well. I would love to see a double bill of Knives Out and Parasite. Now, that would be perfect. To sum up, go and watch this and try to do so without knowing anything about it. It is easily one of the best experiences I’ve had in a theater this year.

Until next time, bye.

 

Dear Academy, For Your Consideration

Being the scariest film of the year, Hereditary has a lot to live up to. This makes the success of it even greater. To watch the film is to understand why horror films have remained so popular over the ages. While other genres have had their popularity go up and down, horror has remained a staple for a very long time. Hereditary is proof of the genre’s ability to produce genuinely scary moments wrapped inside an emotional story. Other films may go for the jump scare to induce fear but here, all you need to do is look closely at the frame to be spooked. A lot has already been said about the film but I would like to focus on one of the biggest reasons for the success of Hereditary as a film and as an experience. I’ll give you a hint, its The Sixth Sense.

 

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One of the problems I have with horror films is that the performances seem too over the top. I’m not able to buy the emotion that these people are trying to sell. This film has a lot of moments that may feel that way but there is a key difference. The emotions are allowed to build, so whenever they come bursting out, it feels justified. It didn’t hit me when I first saw the movie but the more I thought about it, I realised that this was an insanely (no pun intended) good performance from Toni Collette. We get to see what is happening to her and understand why she behaves the way she does. Though it is very likely that her work will be ignored during the awards seasons, the Academy must consider her as a candidate. It is difficult to express the emotional horror a person is going through but she is able to do it in such a way that leaves an impact. A particular highlight is the dinner scene with her husband and her son. The sadness and rage come together in a startling way that is truly terrifying and touching, much like the rest of the film.

Until next time, bye.