One of the worries I had going into Ford v. Ferrari was how were they going to dramatize some pretty awesome real-life events. In hindsight, this is the kind of story that was always meant to be made into a movie. It does not need any more drama and works perfectly the way it is. And in the hands of director James Mangold, we get a film that is thrilling, entertaining and moving as well. This is more that just one man or company’s obsession to become the best. It is as Carroll Shelby (Matt Damon) puts it, about those who have to do ONE thing. I had no real inkling of the actual events, so the reveals, twists and turns worked so well. I was genuinely curious to know what was going to happen next. The script by Jez Butterworth, John-Henry Butterworth and Jason Keller gives us a few of the usual elements, but it doesn’t have that familiarity.
A big reason for this is the cast of Ford v. Ferrari and when you have two of the greatest actors of this generation coming together, sparks will fly and they do here. Damon and Bale pull off a cracker of a balancing act that gives each character a proper arc where we see these men as fully realized characters. We learn about their motivation, what drives (forgive the pun) them. Both these actors bring the excellence that you have come to expect from them and it is at times exhilarating to watch them. They are ably supported by some fine work from others including Caitriona Balfe, Jon Bernthal and Josh Lucas who has never been more punchable in his career.
This is exactly the kind of drama that I want to see make hundreds of millions at the box office. It has everything, a couple of fabulous and famous leads, a great director but most importantly, it is a great film. I was wondering how Mangold was going to follow up his stellar work in Logan but Ford v. Ferrari shows that he’s one of our more underrated directors. And even the runtime which clocks in at more than 150 minutes doesn’t feel too much because the visuals, performances and the story earns that length.
A special mention has to be made of DP Phedon Papamichael who brings us some of the most thrilling, blood-pumping race sequences. His previous work is no indicator as to the kind of adrenaline rush he can give. But his wizardry coupled with the razor-sharp editing by Michael McCusker and Andrew Buckland gives us scenes that are full of life. And that is what makes Ford v. Ferrari great. It is about hitting that fabled 7,000 RPM. It is about men fighting an impossible battle in the hopes of pulling off a miracle. As a film, Ford v. Ferrari becomes one that sets out to entertain us and it does its job beautifully. Hopefully the success of this film prompts Hollywood to give us more such films. But till that day comes, watch Ford v. Ferrari.
Until next time, bye.