The best part of this soundtrack is that the tunes feel fresh to this day. Whether it is the joyous nature of Chaiyya Chaiyya or the longing we feel in Ae Ajnabi, Rahman manages to bring out different shades in him that ultimately make us connect with the characters.
Roja was a phenomenal debut for the then 25 year old composer. He produced a landmark soundtrack for a landmark film. We got glimpses of the man’s mastery of melody; his ability to create magic with the simplest tunes was and is a joy to listen to.
As for Chekka Chivantha Vaanam, there is a lot to talk about. It ranges from the technical details to the scenes that made it and some that should have made it. But one thing was clear to me seeing the film, this is Mani Ratnam reinventing himself.
She is not someone who immediately comes to mind when we discuss the best roles written for women. She is not someone who fights against the evils of society, yet she is strong in her own way. I am talking about Ganga from Dumm Dumm Dumm. Played by Jyothika, she is one of Tamil cinema’s more underrated women.
Iruvar is without a doubt one of the finest films ever made in India. It is a perfect mix of art and entertainment that is sure to leave one feeling awestruck at its brilliance. There is so much to talk about with a film like this. One of them is the historical significance of the story it depicts.