In the history of Tamil cinema, there have been many memorable female characters. Although the proportion is too little, every now and then we are greeted with something that is for lack of a better word, nice. These films show that it is possible to have women in the film and use them for something other than titillation. In that vein, I would like to talk about a female character I really like. She is not someone who immediately comes to mind when we discuss the best roles written for women. She is not someone who fights against the evils of society, yet she is strong in her own way. I am talking about Ganga from Dumm Dumm Dumm. Played by Jyothika, she is one of Tamil cinema’s more underrated women.
So, what makes her special? There are a few things that are impressive about her. First, it is her desire to do well in life and not just marry the first person her father chooses. It also helps that her father is so supportive of her; so that’s refreshing to see as well. Even when the marriage is stopped at the beginning of the film, she doesn’t break down – she continues her journey. You may ask what is so special about this given the fact that so many millions of women do this. I feel that this is precisely what makes her special. When we talk about strong women on screen, more often than not, we have an image of a woman fighting against society. Ganga is fighting as well, but it is at a different level. It is no surprise that such a character came from the mind of Mani Ratnam, who co-wrote the script. To conclude, the character of Ganga is not revolutionary but her relatability is what makes her great. And a special mention has to be made for Jyothika who gives the character so much charm and depth, that we too end up falling in love with her.
Until next time, bye.
Iruvar is without a doubt one of the finest films ever made in India. It is a perfect mix of art and entertainment that is sure to leave one feeling awestruck at its brilliance. There is so much to talk about with a film like this. One of them is the historical significance of the story it depicts. And if you know anything about the history of Tamil Nadu, you know how important the two protagonists are. Today, I would like to focus on one scene in particular. It is the scene where Mohanlal’s character goes to the office of Prakash Raj and asks to be made a minister. In other words, it is for the fight for power. Not only is it key to the development of the story, the two actors are able show what acting is in just a few minutes.
This expression, I feel, is acting at an incredibly high level. What we see is a man who has his pride damaged but does not want to show it. He did not expect to be rejected for the minister’s post. The scene also manages to show the distance that has grown between the once great friends. Where we usually see them close to each other, the table in the metaphorically shows the distance among them. Though there is only one expression in this picture, the whole scene has the both of them portray a range of emotions with such subtlety that you may miss it. This is not an easy thing to do.
A fascinating aspect of the relationship between Tamizh Selvan and Anandhan is the love and respect they have for each other till the very end. Though their political ambitions end up making them rivals, they remain friends rather than foes. There is a constant shift in power throughout the film. At the end, one feels that Tamizh Selvan’s monologue shows the feeling of powerlessness. Without his friend, he feels lost. This is how the movie ends but we all know how real life turned out to be.
Until next time, bye.